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Muse | Matt Bellamy Tour Used and Televised Performance Stage-Used Dickinson Custom Active Stage Monitor Wedge with Rolling Flight Case

February 20, 2026 by Jason DeBord

This article documents and preserves known details, visual evidence, and archival photography relating to a Dickinson active stage monitor wedge built for, owned and used by Muse, and utilized onstage by Matt Bellamy during live performances between 2012 and late 2014.¹


Special Note: This Stage-Used Dickinson Custom Active Stage Monitor Wedge with Rolling Flight Case is available for purchase (please contact me for details).


Custom Dickinson Monitor Wedge on Stage at Shepherd’s Bush “War Child” Concert in 2013


The monitor wedge documented here was deployed by Muse during select arena performances and major international festival appearances between 2012 and late 2014. Verified onstage appearances include a 2012 arena performance in Prague, Czech Republic, the War Child 20th Anniversary performance at O2 Shepherd’s Bush Empire in London (February 2013), Lollapalooza Brazil (2014), and Coachella (2014). ²³⁴⁵

Visual documentation confirms that Dickinson amplification systems were deployed selectively during this period, rather than universally across all Muse performances, indicating intentional deployment based on stage design and performance requirements rather than fixed backline use.


The object documented here is a Dickinson Custom Active Stage Monitor Wedge, housed within its original custom rolling flight case. According to direct correspondence with Jon Dickinson, founder and builder at Dickinson Amps, only two examples of this monitor wedge design were produced, and they were constructed specifically for Muse.⁶ The units were built with integrated monitor speakers and were used by Matt Bellamy both as onstage monitors and as deliberate feedback-generation tools during live performances.

In subsequent correspondence, Dickinson clarified the developmental sequence of Muse’s Dickinson equipment, noting that Bellamy initially used a MkII combo for recording, followed by MkII combo speaker cabinets mounted on a rotating stand, before transitioning to the custom monitor wedges documented here.⁶ These wedges therefore represent the final iteration in Bellamy’s Dickinson stage-monitor evolution during this era.

The wedge retains its original internal speaker components and remains mounted in its touring flight case, exhibiting wear and markings consistent with extended professional stage use.


Historical Context

During the early 2010s, Muse employed a variety of bespoke amplification and monitoring solutions as part of their evolving live production environment. Dickinson Amps, a UK-based boutique builder, supplied custom equipment tailored to Bellamy’s performance requirements, including specialized monitoring configurations designed to integrate controlled feedback as a musical and theatrical element.

This period encompasses the The 2nd Law touring cycle and subsequent festival performances, a time characterized by increasingly sophisticated stage design and intentional interaction between performers and amplification systems. The monitor wedge documented here functioned not merely as reinforcement equipment, but as an integrated performance tool within Muse’s live sound architecture.


Touring Use, Documentation and Photo Match (2012-2014)

This wedge was generally on tour for many appearances throughout 2013 and all three 2014 appearances, though first appeared in late 2012.

Archival material from Dickinson Amplification dated November 29, 2012 documents the completion of two custom “MUSE monitors,” matching the distinctive chrome enclosures seen in subsequent live performances beginning November 22, 2012. Below is an archival screen capture from the official Dickinson website showing the two stage monitors brand new prior to deliver to the band (posted on the site in late 2012):

Confirmed documented notable appearances of this wedge include:

November 22, 2012 — O2 Arena at Prague, Czech Republic
Earliest confirmed documented onstage appearance identified to date.

February 18, 2013 — O2 Shepherd’s Bush Empire (War Child BRITs Show) at London, United Kingdom
War Child BRITs Show 20th Anniversary performance.

June 2, 2013 — Horse Guard’s Parade Ground (World War Z Premiere), at London, United Kingdom
World War Z premiere performance. [see coverage, photos and videos here at RockSubculture.com] Performance held in conjunction with the London premiere of World War Z.

A distinct dent visible on the upper-right front framing of the wedge in a photograph taken by the author during this performance remains present on the unit today, allowing a direct visual photo match between contemporaneous imagery and the object as currently preserved:


September 9, 2013 — Parque Olímpico Cidade do Rock (Rock in Rio) at Rio de Janeiro, Brazil
Major international festival appearance.

September 20, 2013 — MGM Grand Garden Arena (iHeart Music Festival) at Las Vegas, Nevada
Major international festival appearance.

October 4 & 11, 2013 — Zilker Metropolitan Park (Austin City Limits) at Austin, Texas
Major international festival appearance.

April 5, 2014 — Autódromo José Carlos Pace (Lollapalooza Brasil) at São Paulo, Brazil
Major international festival appearance.

April 12 & 19, 2014 — Empire Polo Field (Coachella Festival) at Indio, California
Latest confirmed documented onstage appearance identified to date.

No documented onstage use of this wedge has been identified after late 2014.


Physical Description

The Dickinson Custom Active Stage Monitor Wedge features a floor-standing wedge form factor with angled front baffle designed for stage-side placement. The enclosure houses integrated monitor speaker drivers and internal routing consistent with professional live sound monitoring applications.

According to Dickinson, the units were fabricated with custom modifications, including hand-cut rear access openings for connectors and/or control access.⁶

The accompanying rolling flight case was custom-built for transport and storage of the wedge. Interior foam is cut to the contour of the enclosure, and exterior touring labels, surface wear, and handling marks are consistent with multi-year international touring use.

The monitor retains its original internal speaker configuration and remains preserved in its touring state.

The rolling flight case remains in original touring configuration. The original caster wheels were replaced by the author after acquisition due to deterioration consistent with age and extended use. The replacement wheels are of the same style and function as the originals.


Provenance and Acquisition

This monitor wedge was acquired directly from the Official Muse Reverb Store in London following its decommissioning from the band’s touring inventory. The purchase included the original rolling flight case and intact internal speaker components.

Subsequent research included review of archival video footage, broadcast material, concert photography, and contemporary documentation in order to establish confirmed onstage appearances and define a conservative usage timeline.


Statement of Rarity

Direct correspondence with Jon Dickinson confirms that only two examples of this custom monitor wedge were produced for Muse.⁶ No catalog listing, model designation, or production variant exists for this design outside of those two units.

With documented multi-year onstage use by Matt Bellamy, manufacturer confirmation of limited production, preserved original components, and a visual screen match to specific performance photography, the wedge documented here represents one of only two known examples of bespoke stage-monitoring equipment purpose-built for Muse’s live performances during the early 2010s.


Muse | Matt Bellamy Stage-Used Dickinson Active Stage Monitor Wedge with Rolling Flight Case Photography

Video: O2 Shepherd’s Bush Empire (War Child BRITs Show) London

Video: MGM Grand Garden Arena (iHeart Music Festival) at Las Vegas

Video: Horse Guard’s Parade Ground (World War Z Premiere) at London

Video: Autódromo José Carlos Pace (Lollapalooza Brasil) at São Paulo

Video: Zilker Metropolitan Park (Austin City Limits) at Austin, Texas

Video: Parque Olímpico Cidade do Rock (Rock in Rio) at Rio de Janeiro


Live Performance Screencapture Examples


Collector Summary

This Dickinson Custom Active Stage Monitor Wedge represents a convergence of limited-production fabrication, verified artist use, and documented appearance across major international performances between 2012 and late 2014.

Constructed specifically for Muse as part of Matt Bellamy’s evolving Dickinson stage-monitor configuration, and confirmed by the builder as one of only two produced, the wedge occupies a distinct position within the band’s early-2010s live production history. Preserved in its original touring flight case, with intact internal components and identifiable period wear consistent with documented appearances, it stands as a historically anchored artifact from a defined chapter of Muse’s performance era.

Serious collector inquiries regarding this object may be directed privately: [email protected]


Notes & References

  1. Muse, English rock band formed in 1994.
  2. Prague, Czech Republic arena performance, 2012; archival video documentation.
  3. War Child 20th Anniversary performance, O2 Shepherd’s Bush Empire, London, February 2013.
  4. Lollapalooza Brazil, 2014; festival performance footage.
  5. Coachella, United States, 2014; festival performance imagery.
  6. Jon Dickinson, Dickinson Amps; direct correspondence with author, January 2026.

Filed Under: Collecting Artifacts & Memorabilia, Studio/Music Video/Stage-Played/Worn Used Gear and Costumes Tagged With: 2010s music, Artist-used equipment, austin city limits, coachella, collecting, collectors, Custom stage equipment, Dickinson Amps, Festival performance, Instrument provenance, Jon Dickinson, Live performance, lollapalooza, Matt Bellamy, memorabilia, Monitor wedge, muse, music memorabilia, Photo Match, Provenance research, Rock in Rio, RockSubculture archival series, Screen-matched, Stage-used, Televised performance, The 2nd Law era, Tour-used, War Child BRITs Show, world war z

Lush at The Warfield | San Francisco, California | 4/24/2016 (Concert Review + Photos)

April 25, 2016 by Jason DeBord Leave a Comment

Lush-Tour-2016-Concert-Review-Photos-Photography-The-Warfield-San-Francisco-FI

“I hope it wasn’t a massive hassle for you to come a week later…  I’m sorry if it was… it fucking was for us!” Miki from shoegaze pioneers Lush at The Warfield in San Francisco on Sunday night, for their show that was rescheduled from the week before due to visa issues coming to the U.S. for Coachella and a handful of headlining shows California, the Pacific Northwest and Vancouver.  The band just released their first new music in 20 years, EP Blind Spot, this month, and their sprawling set list of music new and old kept the packed crown transfixed on the stage for the duration of the show.  Best known as “a 90s band”, music of that era is being rediscovered of late and it was awesome to see the band come back to the music scene to begin again in a different era.  Prior to recent months (including an appearance at Coachella), the band last performed way back in 1996.  You wouldn’t know it from their show, as they appeared relaxed, comfortable, and happy to play in front of their fans.

[Read more…]

Filed Under: Aaron Axelsen, Concert Reviews, Goldenvoice / AEG / Axs, Live Rock Music, News, & Events, Lush, San Francisco California, Tamaryn, The Warfield Tagged With: 2016, 4ad, 90s, aaron axelsen, album, alternative, blind spot, coachella, Concert, concert photos, Concert Review, dates, ep, goldenvoice, live, lush, new album, out of control, photography, photos, review, San Francisco, shoegaze, tamaryn, the warfield, tickets, tour

Pixies at Henry Miller Memorial Library | Big Sur, California | 4/15/2014 (Concert Review + Photos)

April 17, 2014 by Jason DeBord 3 Comments

Pixies-Concert-Review-Photos-2014-Tour-Big-Sur-Henry-Miller-Memorial-Library-April-15-Coachella-FI

“The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware” – Henry Miller.  Black Francis (AKA Frank Black, AKA Charles Michael Kittridge Thompson IV) had nothing really to say to the sold out crowd of about 300 lucky fans at the amazing show at Henry Miller Memorial Library in Big Sur Tuesday night, but as an artist, he’s had plenty to say with his music over the years.  And 2013 and 2014 mark the big comeback for the band, with their EP-1, EP-2, and EP-3 (with four tracks a piece) collectively comprising their first new album in over 20 years.  Pulled together, their latest – Indie Cindy – somehow captures the sound and vibe of their pioneering work in the late 80s and early 90s, but with a contemporary vibe (though some would argue they were decades ahead of things back in the day).  Currently playing live dates with their current touring bassist, Paz Lenchantin brings great energy, warmth, and sex appeal to the band which still features original guitarist Joey Santiago and drummer David Lovering, in addition to Black Francis at the helm of things.  I’ve marked Pixies as one of my favorite bands since high school, and have seen them many times going back to the late 80s, and I’d have to say that not only was the show in Big Sur this week the best I’ve seen, it will probably go down as the best Pixies concert I will ever see.  A sublime mix of venue, crowd, and energy, it was nothing short of magnificent.  And since the two shows I saw in Los Angeles last year and Oakland a few months ago, it would seem that the band has come into their best groove ever, going without setlists and employing some keen (though at times glitchy) psychic powers among themselves.  Like what Henry Miller was getting at, this is a group that is aware on many different levels…

[Read more…]

Filed Under: (((folkYEAH!))) & HMML, Big Sur California, Concert Reviews, Henry Miller Memorial Library, Live Rock Music, News, & Events, Pixies, Syd Arthur Tagged With: 2014, 4ad, another planet, another planet entertainment, bagboy, best coast, Black Francis, Blue Eyed Hexe, breeders, california, carmel, charles thompson, coachella, Concert, Concert Review, date, Dave Lovering, ep-1, ep-2, ep-3, ep1, ep2, ep3, format, Fox Theater, Frank Black, Gil Norton, Henry Miller Memorial Library, indie cindy, Joey Santiago, Kim Deal, kim shattuck, monterey, Music, Oakland, Paz Lenchantin, Photo, photographs, photography, photos, pixies, review, set list, setlist, the pixies, touring bassist, vinyl

Yeah Yeah Yeahs at The Boulevard Pool at The Cosmopolitan | Las Vegas, Nevada | 4/13/2013 (Concert Review)

April 15, 2013 by Jason DeBord 5 Comments

Yeah-Yeah-Yeahs-YYY-Karen-O-Concert-Review-Las-Vegas-2013-Cosmopolitan-Boulevard-Pool-FIe

“We were just having a conversation back stage – I’m not fucking with you – best Vegas show ever!”  A sentiment expressed by Karen O, upon returning to the stage for the encore, leading out with “Zero”.  I think many of the fans in attendance for the show were in agreement.  Las Vegas seemed to be a well-suited city to host Yeah Yeah Yeahs Saturday night as they hit a handful of U.S. venues as well as headlining Coachella appearances supporting their fourth studio album, Mosquito, due out this week.  Yeah Yeah Yeahs, fronted by Karen O, share much with Vegas… both exhibiting glitzy style, extroverted personality, edgy sensibility, and non-conformist attitudes.  Atop the fourth floor of the Cosmopolitan, at their Boulevard Pool concert venue overlooking the Strip as well as other sights, such as the faux Eiffel Tower at the Paris resort, the band played through old and new material in the open air concert space, broadcast to the packed house as well as anyone down on the Strip who cared to watch on the giant video screen to the side of the stage.  Blown up on the billboard-sized screen, Karen O put on his own waterworks show – taking large swigs of water and spitting it into the air – that rivaled anything that the stuffier Bellagio might offer with their famous water feature attraction outside of the hotel.  Book ended by their two weekend Coachella appearances, I was thrilled to see the band do their thing away from the massive music festival, and based on the reaction of the audience at the Cosmo, I was not alone in those feelings.

[Read more…]

Filed Under: Concert Reviews, Deap Vally, Las Vegas Nevada, Live Rock Music, News, & Events, The Cosmopolitan, Yeah Yeah Yeahs Tagged With: 2013, april 13, boulevard pool, coachella, Concert, Concert Review, cosmopolitan, deap valley, deap vally, Karen O, Las Vegas, live, photography, photos, set list, setlist, tour, Yeah Yeah Yeahs, yyy

New Order & Johnny Marr at The Boulevard Pool at The Cosmopolitan | Las Vegas, Nevada | 4/11/2013 (Concert Review)

April 12, 2013 by Jason DeBord 10 Comments

New-Order-Johnny-Marr-Las-Vegas-Cosmopolitan-Boulevard-Pool-2013-Concert-Review-Photos-FI

This is probably the first and last concert in which I will have seen and heard two of my three all-time favorite songs performed live at the same show – New Order’s “Blue Monday”, and “How Soon Is Now?” by original guitarist and co-songwriter for The Smiths, Johnny Marr.  If only Depeche Mode were on hand to play “Never Let Me Down Again”, I would have had all three.  Obviously, the rare combination of Johnny Marr and New Order playing on the same bill made for an incredible night of music at The Boulevard Pool at The Cosmopolitan in Las Vegas.  Though they never shared the stage at the same time, it was a show that celebrated some of the most significant and influential players in music in the past three decades.  Johnny Marr’s first solo record, The Messenger, came out earlier this year to great critical reception, and his set included a mix of the new work as well as a few songs from The Smiths, Electronic number, and one cover.  New Order changed things up a bit since their tour last year, playing “World (The Price of Love)” live for the first time and closed out with an encore of three Joy Division songs.

[Read more…]

Filed Under: Concert Reviews, Johnny Marr, Las Vegas Nevada, New Order, The Cosmopolitan Tagged With: 2013, april 11, Bernard Sumner, boulevard pool, coachella, Concert, Concert Review, cosmopolitan, cover, electronic, Gillian Gilbert, Johnny Marr, Joy Division, Las Vegas, live, New Order, Phil Cunningham, photography, photos, set list, setlist, Stephen Morris, the messenger, The Smiths, Tom Chapman, tour, video

Metric Continues ‘Synthetica’ Tour with Coachella Appearances and Headlining Dates in U.S. and Canada

March 21, 2013 by Jason DeBord 2 Comments

Metric-Synthetica-North-American-Canada-Tour-2013-US-Dates-Details-Tickets-Sale-Concert-FI

Metric has thus far this year plotted out dates through June, with appearances at Coachella as well as their own headlining shows in and around the United States.  Having covered two of their shows last year, they are really a must see band with amazing music and songs from their latest studio album, Synthetica, get a lot of play on this tour. [Read more…]

Filed Under: "On Tour" Dates & Announcements, Metric Tagged With: 2013, announcement, canada live, cities, coachella, dates, locations, metric, Music, pre-sale, stage, synthetica, tickets, tour, u.s., united states

Phoenix Returns To North America for Coachella and Additional Dates to Support New Album Bankrupt!

February 8, 2013 by Jason DeBord Leave a Comment

Phoenix-Band-North-American-World-Tour-2013-US-Dates-Details-Tickets-Sale-Concert-Portal-Festivals-Bankrupt-Album-FI

French alternative rock band Phoenix will be returning to the United States for the first time in two years to make an appearances as one of the headlining artists at Coachella, as well as headline their own gigs outside of the annual Indio festival.   Their fifth studio album, Bankrupt!, is due in the Spring as well through Glassnote Records.  Following these dates, they will embark on a world tour headlining additional festivals in Europe.

[Read more…]

Filed Under: "On Tour" Dates & Announcements, Phoenix Tagged With: announement, band, coachella, Concert, Music, north american, Phoenix, pre-sale, tickets, tour, united states

Coachella Valley Music and Arts Festival 2013 Concert Artist Line-Up Announced; Preview of Bay Area “Fauxchella” Possibilities

January 24, 2013 by Jason DeBord 1 Comment

Fauxchella-Bay-Area-Cochella-Valley-Music-and-Arts-Festival-Indio-Artist-Band-Group-Line-Up-Concert-FI

The Coachella Valley Music and Arts Festival, presented by Goldenvoice, has announced their 2013 line-up of artists and bands performing at the annual music event in Indio, California.  Featured artists include New Order, Red Hot Chili Peppers, Phoenix, The Stone Roses, Blur, Yeah Yeah Yeahs, The xx, Phoenix, Modest Mouse, Lou Reed, Metric, Of Monsters and Men, Johnny Marr, Moby, Orchestral Manoeuvres in the Dark, Vampire Weekend, Jurassic 5, Hot Chip, Postal Service, Social Distortion, Nick Cave and the Bad Seeds, and more.  For residents of Northern California, like myself, are just as excited about the announcement, in that though we may not make the trek to Southern California, we have the benefit of what has been dubbed “Fauxchella” by SpinningPlatters.com…  with concert venues in the San Francisco Bay Area playing host to many of the bands adding on their own headlining shows on dates just before and after the famous festival event.

[Read more…]

Filed Under: "On Tour" Dates & Announcements, Cochella, Festivals, Goldenvoice / AEG / Axs Tagged With: 2013, alternative, announcement, artist, artists, band, bands, Blur, california, coachella, Concert, electronic, event, fauxchella, festival, gig, goldenvoice, Hot Chip, indio, Johnny Marr, Jurassic 5, list, Lou Reed, metric, Moby, Modest Mouse, New Order, Nick Cave and the Bad Seeds, of monsters and men, orchestral manoeuvres in the dark, Phoenix, Pop, Postal Service, program, Red Hot Chili Peppers, rock, show, Social Distortion, spinningplatters, The Stone Roses, tickets, travel, Vampire Weekend, xx (The xx), Yeah Yeah Yeahs

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