Reignwolf won over the Rock Subculture Journal back in 2013, with a supporting slot with Pixies at the El Rey Theater (I then counted Reignwolf as my #1 Supporting Act for the year). I was blown away by Jordan Cook and his two bandmates and their performance on stage, and have been eagerly anticipating seeing a full set from them ever since. Having supported Black Sabbath for much of 2014, Reignwolf will be playing a handful of special shows to close out 2014, with appearances in San Francisco, Portland, Vancouver, and Seattle. If you are anywhere in the vicinity of the West Coast, I can’t recommend enough coming out to one or more of these shows. Reignwolf will become a huge phenomenon once their first full studio album hits the streets and the rest of the world catches up to this incredible artist. [Read more…]
2013 is maybe the best year since the early 90s to be a Pixies fan. Interestingly, having been in attendance now at the first two of three consecutive shows this week at El Rey Theatre in Los Angeles (and a fourth coming right after at the Mayan Theatre), the crowd overall skewed very young, which really underscores my long held belief that the Pixies were way, way, way ahead of their time, and also had bad timing (maybe in an alternate universe they could have had Nirvana-sized mainstream success). In any event, as I’ve often referenced in countless articles here on the Rock Subculture Journal, the Pixies are solid in my Top Three favorite artists of all time. Before going into recent and ancient history, the big question those reading this are probably wondering is, ‘how were these shows?‘ The short answer is, absolutely phenomenal. Everything one could hope for in a Pixies concert has been present in Night 1 and Night 2. With their new touring efforts and new music (music that is on par with their classic material), it is an awesome time to be into the Pixies, whether you were around back in the day or not. A time to celebrate, and the band and the fans all brought the party to El Rey Theatre this week.